Vintage Goodman

Every morning that I wake up in this house I am still astonished by it.  The light pours in, the wood gleams, and I’m floating in the trees.

At dusk, the view changes. The house glows in the dark.

But this summer we are having to leave this wonderful community of Hollin Hills for new jobs in Atlanta, so we have put this dear house of ours on the market.  Wanted:  buyers who appreciate mid-century modern design, an open floor plan, a big deck looking onto the woods,  walls of windows and lots of room for kids and entertaining.  (We have thrown many parties with the adults upstairs in the dining/living room and the kids downstairs in the family room.  Everyone’s happy.) This five bedroom / three bath house is one of the largest houses that Goodman designed, and it’s on a quiet cul-de-sac.  It has been in the March 2007 issue of Wallpaper Magazine and this spring’s issue of Modernism Magazine. In my humble opinion, this is one of the very best houses in this award-winning community.

Go here to see more pics and details.

2010 Hollin Hills House + Garden Tour, May 1, Noon to Six

Hollin Hills, the award-winning mid-century modern neighborhood in Alexandria, Va., will host a House & Garden Tour May 1, 2010.  The self-guided walking tour will showcase stunning examples of mid-century modern architecture and landscape.

Created by visionary developer Robert Davenport and architect Charles Goodman in the late 1940s, with construction continuing until the early 1970s, Hollin Hills was and still is a grand departure from the usual suburban development. Its radically modern homes, sited into the contours of the land rather than onto the street, take advantage of the borrowed vistas, parks, streams, and the forest canopy that has grown up in the intervening years.

In connection with the tour, on April 28th the National Building Museum (NBM), at 2401 F Street, NW, in Washington, DC, will host a program entitled “Modernist Suburbia” where Architect John Burns, FAIA, and landscape architect Dennis Carmichael, FASLA, discuss Hollin Hills’ history, growth, and influence.  National Building Museum curator Chrysanthe Broikos will moderate the program.  Ticket information will be available at http://www.nbm.org/.

Informational lectures on Hollin Hills architecture, landscape, and design will be held at 11 a.m. prior to the tour at Hollin Meadows Elementary School at 2310 Nordok Place.

For more information about Hollin Hills and its tour, and to purchase tickets or become a supporter, go to hollinhills.org.

Snowpocalypse 2.0 — A User Review

Like so many product upgrades recently, Snowpocalypse 2.0 is vastly overrated.  Despite great hype, the new version offers few improvements over the original while retaining many of the drawbacks.  Chief among these is content overload. While Snow2, as it’s known on the street, provides somewhat improved content flow it is still far too fast for the average user and lacks any meaningful controls.  This of course begs the question of whether the manufacturer (we’re looking at you Obama) rushed this product to market to capitalize on the interest in the Snowpocalypse brand.  One hint on this subject is Snow2′s lack of a “delete” button, despite repeated requests from users of the original product. Another complaint is that, like its predecessor, Snow2 seems primarily intended for children interested in “gaming.”  For serious business users, Snow2 offers little of value, unless they happen to be manufacturers of snow shovels.  Speaking of which, for those suffering buyer’s remorse over the purchase of a Snowpocalypse product, help may soon be on the way.  Apple–ever on the lookout for an opportunity–is rumored to be testing its answer to Snowpocalypse, the iShovel.  Early reviews give it high marks although it apparently lacks a Blu-Ray disc player and bogs down when used on Snowpocalypse content produced in the “wet” setting.  Still, if history is any lesson, iShovel may give Snowpocalypse a run for its money.  In the meantime, be on the lookout for Snowpocolypse 3.0, due out Monday. Now, if you’ll excuse me, I have to get back to my analog shovel.
Your humble reviewer,
David Armstrong

Preserving Nature No Matter the Price

I didn’t stay until the very end, but I heard that at last night’s civic association meeting the community voted to put the kebosh on AT&T’s overture to put a cell tower on Hollin Hills park land.  I didn’t have a dog in this fight, and truly I could have been persuaded to go either way.  But the people who spoke out against cell towers were truly moving and amazing, pointing out that the founders of the community sought to preserve the natural spaces at whatever cost, and that means for us today the possible renumeration of tens of thousands of dollars of rent from AT&T.  And apparently, the majority agreed.  In a world of scarcity, in a time of recession, when it’s easy to get greedy and forsake what we really care about, I think my community did the right thing, and I’m really proud to be a part of it.

Hollin Hills Tour Pics

If you missed the house tour, don’t miss these photos.

Also see Modern Capital Blog’s blog with pics of the tour.

House & Garden Tour

The next Hollin Hills House & Garden Tour is scheduled for Saturday, April 26, from noon to six p.m. We plan to showcase about a dozen homes and gardens that exemplify distinctive features of Hollin Hills style, past and present. For more details, stay tuned.

Lady Bird

I have to say that I am sad that Lady Bird Johnson has passed on. In Austin, where I went to school, she was always a hovering presence, somehow softening the other LBJ’s legacy, monumentally inscribed in that library on the other side of the University of Texas campus.  I saw in my lifetime Texas roadsides transformed from billboard clutter to wildflower beauty. Just think, every road trip we take in this country, down highways of green and petals, allows us all to witness her grace.  So long, Lady Bird.

A Community by Design

About two weeks ago I started addressing some of the concerns I’ve heard about this blog and some of the efforts of its contributors. In one post I talked about how nonofficial venues are not threats but complements to the formal work of the civic association and its committees. In another post I addressed the misconception that advocates for stricter enforcement of the Guidelines are die-hard preservationists who want to freeze the neighborhood as it was fifty years ago. To the contrary, we think the guidelines, not individuals’ own particular views, should be the standard. Now I take up two other concerns I heard early on — that we value design over community and that we somehow are denigrating the work of volunteers.

In a reply a while back to a post, one person wrote that she moved here for the community, not the design. Yet so many of the elements of the design are just what makes this communtiy so open, and all of us a bit vulnerable. We can’t hole up behind eight-foot fences. The borrowed vistas, the open floor plans, the walls of glass keep us connected to each other. This design isn’t for everyone. Let those who love their colonials live in them. Those who like openness, simplicity, and connections to nature do well here, and I think they find themselves in the company of others of a similar bent. So, I think, many of us may have found our way here because we loved the houses, but then found out once we were here that the design created one of the most incredible communities in the country.

Of course, design isn’t an abstract notion. Davenport, Goodman, Kiley, and all laid out the physical design. Generations of Hollin Hillers have created and volunteered in the organizations that preserve and enhance it. What other place supports two swim clubs, lots of cultural clubs, parks committees, websites, design review, and ongoing committees to review by-laws, guidelines, etc.? The best way to honor generations of this kind of service and commitment to the community is to continue to serve and honor those institutions and traditions. To advocate for the design review process, for openness and transparency, is to honor generations of such volunteer work.

Notes from an observer at the June 6, 2007 DRC meeting

by Paige Conner Totaro

There were six proposals on the agenda for the June 6, 2007, meeting of the Design Review Committee. But because three of the sessions were closed to observers, I was only able to observe three sessions plus the status review of other issues before the Committee.

After discussion with some other meeting observers, I’m experimenting with a new way to report on DRC meetings. We want to talk more about the issues that arise in the meetings than we do about specific home projects. I would love to hear your responses to these changes.

At the June 6 DRC meeting, these are the some of the issues that arose.

Several issues were brought to the forefront with a neighbor’s proposal to replace a shed with a prefabricated one, as well as a brief discussion of another neighbor’s construction of a shed without prior approval from the DRC.

First, I think it’s important for the community to know that with a very few minor adjustments, a prefab shed from the mega home improvement store might be approved by the DRC. The DRC can look at a prefab shed and suggest several design changes, such as removing trim from around the door to make the door flush, painting it the same color as the house, and making sure that any windows are in conformity. This will vary from shed to shed, so people should always consult with the DRC before installing one.

Several of the issues brought before the DRC involved construction that began without DRC approval. This is a tough situation for the DRC and for the neighborhood as a whole. How should neighbors address this problem when it arises? How should the DRC address this? A non-conforming shed can appear overnight. What should happen next? The DRC noted that temporary structures are often given more leeway than permanent ones. But what if a structure is technically “temporary” — say that it doesn’t have a foundation — but likely to remain in place for a decade or so?

What if the construction in question goes far beyond the import of a shed and involves new construction on three or four sides of a house visible to neighbors and the street? How far can or should the DRC and civic association go in halting such construction and pressing the homeowner to go through the DRC process ? We do all buy our Hollin Hills homes subject to design covenants.

A couple of other issues came up at the meeting, and I do not by any means want to imply any any fault on the part of the current DRC members, because these issues involve more procedural questions that have likely been in place for years. I’ll be sending my comments to the SDRC, too, so they can possibly consider them as they work on their report.

First, there’s a question of how clear the DRC’s decision might be to the applicant. In one session I observed, the committee discussed at length how a proposal for replacing a shed could be done in a way that would make the replacement more in harmony and conformity; these included details such as using T1-11 board, making the trim around a door flush, and painting the shed all one color. At the end the Committee approved the replacement, pending neighbor notification. My question, as an observer, was this: had they approved the replacement only if the requested changes were made? Or did the homeowner just need to make her best effort to make those changes if possible? Should there perhaps be a written approval notice given to the homeowner to clarify exactly what has been approved? This language could then also be used in the neighbor notification, and could also be noted in the DRC’s spreadsheet (see below). I wasn’t able to ask the question at the meeting because the next group had arrived for their closed session, but I hope the homeowner had a clearer idea than I did of what had been approved .

Second is a question about DRC recordkeeping. At the meeting, I saw (from afar and without seeing any detail) a large spreadsheet of cases pending with and decided by the DRC. The DRC Chair noted that he had given administrative approval to a few things between meetings, and that those things did not need to be noted on the spreadsheet. So this brought to mind a few questions: first — what is administrative approval and when and by whom can it be granted? Second — why not note it in the spreadsheet? I am all for institutional memory, especially in volunteer decision-making groups, to ensure consistency in decision-making, and to strengthen the DRC’s case in certain situations. (E.g. “we’ve declined approval for these types of gutters x number of times, so we can’t approve them now unless there’s been a change in their design” or “we’ve approved this type of prefab shed x number of times so we can grant administrative approval if the same changes are made and the location is okay.”)

Last is the issue of closed sessions. Personally, I can understand and appreciate the desire for homeowners to have closed sessions early in the process, but I think the earlier the meetings can be opened to the neighborhood, the better. How the DRC interprets the Guidelines in any given case has consequences for all of us, especially in so far as any given decision becomes a precedent for decisions down the road. For this reason, I think, especially for cases of first impression (new technologies, new materials, new design issues) or cases of major renovations, the community should be invited to comment to the DRC before the DRC makes its final decisions.

I must say that I enjoy attending DRC meetings, and I am always impressed with the work that the DRC members do. They have great respect for the homeowners who come before them and they clearly put a lot of time into these volunteer positions. I may come away with a lot of questions, but I always learn something when I attend.

(Editor’s note: The DRC’s report of the June 6 meeting has just been posted and can be found at http://www.hollinhills.org/drc/drcReport.php?period=062007  )

Die-Hard Preservationists?

This week I’ve been trying to allay concerns in the community that have circulated during the past year. In my previous post I talked about how nonofficial venues are not threats but complements to the formal work of the civic association and its committees. Here I want to address the misconception that advocates for stricter enforcement of the Guidelines are die-hard preservationists who want to freeze the neighborhood as it was fifty years ago. Here’s my take on this.

After we’d lived here a short while, I figured I understood Hollin Hills — as a certain kind of modernism, a particular slice of time, that moment shortly after the steel and concrete of the Bauhaus melted into the organic forms of Neutra, Schindler, and, yes, Goodman. Then on the Fourth of July two summers ago, Mary Normile invited Kelly Valceanu and me to come visit her house around the corner from the picnic. We hiked over and walked up to the second floor of her split level and I was astonished. Here was this Carribean paradise, complete with a side room full of exotic birds chirping, open cabinets revealing rustic dishes, windows that looked out on to lushness. Mary’s house had the soul of Jamaica and it was firmly planted in Hollin Hills. That’s when I realized these houses could do so many different and unexpected things. …. The Damitz’s perfect square house that now evokes Frank Lloyd Wright… The Cox’s house with a potter’s spirit, with every space a tableau of special objects. … The Cohen’s house with its icons of high modern design… The Carr’s house full of colorful contemporary art… The Polo’s house with a wall of glass in the back looking out on to an incredible vista.

But what ties these houses together are the elements, a certain proportion in the windows, a particular kind of siding, rescued brick, a rhythm of elements and proportions that repeat from one house to the other. And of course there’s the landscaping that makes Hollin Hills so utterly different from most any neighborhood anywhere else. I’ve meditated on these elements on many long morning walks.

What makes Hollin Hills Hollin Hills? Not fixed notions of 1950s modernism, but the elements of the design itself, elements that are extremely well put in the Design Review Guidelines and the little landscaping book published by the Civic Association in 1989, A House in the Woods: A Landscape Aesthetic for Hollin Hills written by Dennis Carmichael. While only the former are enforceable, both can be recommended as aesthetic, community ideals. My hope is that those are the design ideals that guide this neighborhood into the future.

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